La
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弗莱彻·穆勒斯
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斯科特·梅斯库迪（“卡迪小子”）和肯尼亚·巴里斯联手推出了《爱跃星空》，这是一部原创动画故事，讲述了一位名叫贾巴里的年轻艺术家（梅斯库迪配音）竭力平衡爱情和成功的故事。找到后者让贾巴里离前者更近了一步，当搬进梦想中的公寓时，他认识了新邻居 — 摄影师美女梅多（杰西卡·威廉姆斯配音）。《爱跃星空》集艺术、音乐和时尚元素于一身，故事发生在唯一一个可以同时满足这三者的城市：纽约。《爱跃星空》汇集了全明星阵容，包括蒂莫西·柴勒梅德、泰·朵拉·尚、劳拉·哈里尔、凡妮莎·哈金斯、克里斯托弗·阿波特、070·谢克、贾登·史密斯、凯斯·大卫、缇亚娜·泰勒、阿图罗·卡斯特罗和麦考利·卡尔金。
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Nicky Phelan
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The Octopod is grabbed by a colossal squid. The Octonauts are unable to break free due to the hooks on the ends of the squid's tentacles. Fortunately the arrival of some sperm whales turns the squid from hunter to hunted.
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内详
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该节目是厨艺大师的少年版，三位评委仍由戈登.拉姆齐、乔·巴斯提许、埃利奥特·格雷厄姆担任。24位8-13岁的小选手进行一次三组对抗赛，12位进入正赛，每期淘汰两位，冠军奖金10万美元。
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Louis J. Horvitz
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第57届格莱美奖颁奖典礼于2015年2月8日晚在美国加利福尼亚州洛杉矶斯台普斯中心举办[2]。颁奖典礼由CBS现场直播。本届格莱美奖中的作品须在2013年10月1日至2014年9月30日之间发行才可获得报名资格。 最终提名于2014年12月公布，山姆·史密斯、碧昂丝和法瑞尔·威廉姆斯三位歌手分别获得六项提名，是本届格莱美奖提名最多的艺人。而山姆·史密斯获得包括“年度制作”、“年度歌曲”和“最佳新人”三个一般类奖项在内的四项大奖，成为当晚的最大赢家，碧昂丝、法瑞尔·威廉姆斯、贝克和罗珊·凯许四人各获得三项大奖位列其后。本届格莱美奖颁发出83个奖项，比前一年增加一项。 MusiCares年度人物于格莱美颁奖前两天的2月6日颁发给鲍勃·迪伦，这项奖项作为“格莱美周”的一部分，与格莱美奖同样由美国国立录音艺术科学学院颁发。（整理：@蓝影志）
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Louis J. Horvitz
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由美国国家录音与科学学会（The National Academy of Recording Arts & Science）主办，被称作“音乐界奥斯卡”的第56届格莱美的颁奖盛典在2014年1月26日进行，地点在洛杉矶的斯台普斯中心（Staples Center）
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哈密什·汉密尔顿,Dee Koppang O'Leary
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本次维秘大秀将分为六大主题，分别是Portrait of an Angel(画中天使)、Ice Angels(冰雪天使)、Boho Psychedelic(迷幻波西米亚)、Fireworks(炫彩烟火)、Exotic Butterflies(异域蝴蝶)、PINK USA (粉红美国)。 2015年的Fantasy Bra确定由天使Lily Aldridge佩戴。今年大秀的FB将出现在Fireworks板块，价值200万美金，全名璀璨烟花梦幻文胸，耗时685小时，总重量375克拉，含18K金、126颗钻石，400余颗其他珍贵宝石。 与维密天使一起亮相的还有三位年度重量级的表演嘉宾，“绵羊”Ellie Goulding、Selena Gomez、The Weeknd。 维多利亚的秘密2015内衣秀开场曲 歌曲标题 歌手 专辑 1 Break the Fall Laura Welsh Break the Fall 2 Run the World (Girls)MV Beyoncé 3 GlowMV Ella Henderson Glow 4 Anything Could HappenMV Ellie Goulding Anything Could Happen 5 Underwater Love Smoke City Flying Away 6 ParadiseMV Coldplay Paradise 7 Glamorous Fergie/Ludacris The Dutchess 8 Work BitchMV Britney Spears Work Bitch 9 SugarMV Maroon 5 Ⅴ 10 I Got UMV Duke Dumont/Jax Jones Now That's What I Call Music 87 11 Adorn Miguel 2013 GRAMMY Nominees 12 Come Get It BaeMV Pharrell/Miley Cyrus G I R L 13 Juntos (Together) [From "McFarland, USA"]MV Juanes Juntos (Together) [From "McFarland, USA"] 14 RudeMV MAGIC! Rude 15 Love Me Harder MV Ariana Grande/The Weeknd My Everything 16 ProblemMV Ariana Grande/Iggy Azalea My Everything 17 Burnin' Up (feat. 2 Chainz)MV Jessie J Burnin' Up 18 JealousMV Nick Jonas Jealous 19 Playing With The Boys Kenny Loggins Top Gun 20 Black Out Days Phantogram Phantogram - EP 21 AnimalsMV Maroon 5 Animals
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哈密什·汉密尔顿
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《维多利亚的秘密时尚大秀》首次来到中国上海举行，11月29日上午10点优酷全程直播！刘雯、何穗、奚梦瑶、雎晓雯、谢欣、陈瑜、王艺七位中国模特将会参与本次表演。李云迪、张靓颖、哈里·斯泰尔斯、Miguel、Leslie Odom Jr已确定担任此次大秀的表演嘉宾。本次维密舞台设计 将呈现87个变化的造型以及37对天使翅膀，所有模特将一共穿上87双鞋演绎维密风采。此外，在本次维密时尚大秀的舞台上，维密备受期待的超贵内衣“香槟之夜”将由来自巴西的模特“黑珍珠”莱斯·里贝罗展示给世界，让我们共同期待吧！
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安立奎·高德
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业余考古学家泰德最大的梦想就是希望能够得到大家的认可和尊重，但是却一再错失良机。当他的朋友木乃伊，杰夫和贝尔佐尼的生命受到诅咒威胁时，泰德不惜破坏了奥尔梅克金字塔只为拯救朋友。然而他这一行为受到了考古界的严厉谴责。在他唯一的好友萨拉的帮助与支持下，泰德再一次踏上了一段充满危险的冒险旅程。这一次，他将穿过墨西哥、芝加哥、巴黎和埃及，寻找结束翡翠石碑诅咒的方法。
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Nick Gillam-Smith
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现如今，很少有哪个人的衣橱所受到的关注可与英国王室相提并论。几乎每日都有新闻评论王室成员衣着。大众对王室衣橱的窥探由来已久，在本片中，主持人将大开皇家衣橱之门，尽览古今国王与王后的华服美裳。王室服饰的魅力不仅在于其剪裁和色彩它们超越了纯粹的服饰 成为一种象征或表达。
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Murray Lerner
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"Bob Dylan going electric" at the 1965 Newport Folk Festival is one of those epochal moments in rock history that seemingly everyone has heard about, but what few people seem to know is that it wasn't some ephemeral event that we only know from word of mouth -- filmmaker Murray Lerner documented the performances at the Newport Festival for several years running, and The Other Side of the Mirror collects footage from the three years Dylan appeared at the celebrated folk gathering, allowing us to see Dylan's rise through the folk scene for ourselves. Watching Lerner's documentary, what's most remarkable is how much Dylan changed over the course of 36 months; the young folkie performing at the afternoon "workshop" at the side of Joan Baez in 1963 is at once nervy and hesitant, singing his wordy tunes while chopping away at his acoustic guitar and energizing the crowd without seeming to know just what he's doing. In 1964, Dylan all but owns Newport, and he clearly knows it; he's the talk of the Festival, with Baez and Johnny Cash singing his praises (and his songs), and his command of the stage is visibly stronger and more confident while his new material (including "Mr. Tambourine Man" and "It Ain't Me, Babe") sees him moving away from the "protest songs" that first made his name. When the audience demands an encore after Dylan's evening set (Odetta and Dave Van Ronk were scheduled to follow him), Peter Yarrow tries to keep the show moving along while Dylan beams at the crowd's adulation, like the rock star he was quickly becoming. By the time the 1965 Newport Festival rolled around, Dylan's epochal "Like a Rolling Stone" was starting to scale the singles charts, and the hardcore folk audience was clearly of two minds about his popular (and populist) success. When Dylan, Fender Stratocaster in hand, performs "Maggie's Farm" backed by Al Kooper, Mike Bloomfield and the rhythm section from the Paul Butterfield Blues Band, the raucous but hard-driving number inspires a curious mixture of enthusiastic cheering and equally emphatic booing, and while legend has it that the version of "Like a Rolling Stone" that followed was a shambles, the song cooks despite drummer Sam Lay's difficulty in finding the groove, though if anything the division of the crowd's loyalties is even stronger afterward. After these two numbers, Dylan and his band leave the stage, with Yarrow (once again serving as MC) citing technical problems (if Pete Seeger really pulled the power on Dylan, as legend has it, there's no sign of it here); Dylan returns to the stage with an acoustic six-string to sing "Mr. Tambourine Man" and "It's All Over Now, Baby Blue" before vanishing into the night without comment. While much of the audience at Newport in 1965 wanted the "old" Dylan back, his strong, willful performances even on the acoustic stuff makes it obvious that the scrappy semi-amateur we saw at the beginning of the movie was gone forever, and the ovations suggest more than a few people wanted to see Dylan rock. Lerner's film tells us a certain amount of what we already knows, but it gently debunks a few myths about Dylan during this pivotal moment in his career, and his performances are committed and forceful throughout; no matter how many times you've read about Dylan's Newport shoot-out of 1965, seeing it is a revelatory experience, and Lerner has assembled this archival material with intelligence and taste. This is must-see viewing for anyone interested in Dylan or the folk scene of the '60s.
